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REVIEW: How We Decide

Author: Jonah Lehrer

2009, Houghton Mifflin

Filed Under: Nonfiction.

C4 Ratings.....out of 10
Language..... 5
Entertainment..... 5
Depth..... 8

How We Decide distills cognitive science and explains the physiology of decision-making in easily relatable layman’s terms. Personally, I found it very interesting, and it has given me plenty of conversational fodder for a while to come. If you want to read about how humans make decisions, how we’re hardwired to do certain things under certain circumstances, and how and perhaps why our brains evolved as they did, then Jonah Lehrer’s book is certainly worth your time.

Lehrer breaks down his analysis and description with accessible metaphors: Tom Brady chucking a TD, a pilot wrestling the controls of  a failing airplane, a stockbroker managing investments. The anecdotes he uses tend to be interesting, and when he stops time in his examples and describes the various split-second options presented in each moment and each subject’s brain’s decision process, I found his science pretty fascinating. It never gets scholarly or tough to follow though; this is the type of neuroscience you’d get from the Discovery Channel, not the DSM-IV.


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INTERVIEW: Roy Giles, author of “Black Night Ranch”

[This is the second in our series of interviews with authors featured in our anthology of outstanding stories from the web, The Chamber Four Fiction Anthology. You can find more information about the anthology and download it for free here, or you can read all the interviews and find new ones here.

Roy Giles is an MFA candidate in Creative Writing at the University of Central Oklahoma. He is a founding member of Arcadia Literary Journal where he serves as the drama and assistant poetry editor. His story “Black Night Ranch” was first published with Eclectica Magazine where he was chosen as a “Spotlight Author.” You can find “Black Night Ranch” in Eclectica here.

Nico interviewed Roy by email.]

A Versatile tractor, the same kind that appears in "Black Night Ranch" --- photo by Roy Giles


Chamber Four: What did you do between undergrad and enrolling in an MFA program?

Roy Giles: Those were the most boring eight years of my life, particularly from a writing standpoint. I’d call them wasted except that I think I needed to be bored a while. I managed a clothing store during that interval. I worked for good people, but the job felt meaningless, which made me feel meaningless. I wrote almost nothing. I finished a first draft of a full-length play and maybe a half a dozen bad poems. That’s it.

When I look back on it, I don’t know where I got the idea that I might be a writer. Maybe because other people thought I was. I remember sitting in my driveway about to mail an application to law school when I got this panicky feeling I was screwing up. I called my friend in Dallas and told her I was having second thoughts. She practically yelled at me, “Why aren’t you applying to a writing program?” It was like I suddenly had permission. I scrapped law school and found a program.

C4: Where did you grow up?

RG: I grew up in the country outside of Holdenville, Oklahoma. Little town. I hardly ever make it back anymore, but it seems like everything outside of there moves at mach pace, but once you top the hill just as you enter town, you hit a brick wall of slow. It’s nice when you’re in the mood for slow.
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REVIEW: Our Tragic Universe

Author: Scarlett Thomas

2010, Houghton Mifflin Harcourt

Filed under: Literary

C4 Ratings.....out of 10
Language..... 7
Entertainment..... 6
Depth..... 8

Scarlett Thomas’s latest novel comes in a jacketless hardcover, emblazoned with gold detailing halfway between runes and a Labyrinth (the latter makes an appearance in the story), and centered around a lupine creature (which also makes an appearance, but may not actually exist). The sides of the book’s pages are colored black, and the flap copy describes a “labyrinthine journey that takes [Meg, the heroine,] from mysterious beasts of the moor to forest fairies …” Universe is designed, in other words, to look like a bizarre adventure novel in which a swashbuckling Aquarian fights Bigfoot the wolf in a magical fantasy world.

That’s all lies. Not only is Our Tragic Universe not an adventure, or even a journey, it is specifically the antithesis of motion. It’s a novel of ideas, and the central ideas are all about the strictures of dramatic formulas, and breaking out of them—which means the opposite of a narrative arc, which basically means a small narrative circle whirring endlessly, creating energy but going nowhere.

At the center of this gearless flywheel is Meg Carpenter, who writes hacky generic formula books under the pseudonym Zeb Ross. She’s also been writing her own novel for the past decade—it’s an unformulaic “storyless story” that even she finds a bit ridiculous.

Universe is likewise a storyless story, and when the plot sags under its own weight, you feel like Thomas should’ve known better. But, as a string or a cluster of ideas, meant to be formless but pretty, it succeeds.


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The Week’s Best Book Reviews 10/6/10

[In this feature, we highlight a handful of the best book reviews appearing over the weekend in major newspapers. Follow it here.]


The Fry Chronicles, by Stephen Fry. Reviewed by Simon Callow (The Guardian).

Stephen Fry is very funny (I recommend “Jeeves and Wooster”, a Britcom based on G.K. Chesterton stories in which he co-starred with a pre-”House” Hugh Laurie), and his autobiography seems to be not only humorous, but a well-written book. Callow writes:

So clever is he—and he is the cleverest by a mile of all my contemporaries—that he has written a book which reviews itself… it is verbal Vivaldi, gurgling and burbling deliciously along in its perfect cadences, its occasional unexpected harmonies, its calculated quirks, ever and anon modulating into a more tender, more reflective passage, hinting at, but never too deeply exploring, emotional depths, before speeding off into a joyous allegro vivace of infectious comic bravura.

Callow’s review is a good read in its own right, and I appreciate his willingness to criticize his contemporary where criticism is due.

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Nemesis, by Phillip Roth. Reviewed by Michiko Kakutani (New York Times).

Roth is one of those authors you either love or you don’t bother reading. His novels are long and dense, and it’s usually a fairly large endeavor to read one. It’s also usually worth the effort though, as he is inarguably one of the most talented American writers working today. Nemesis weighs in at 280 pages, so it looks like it might not be the behemoth some of its predecessors were, but it’s still a slice-of-life type book; in this case that slice comes from the Polio epidemic of 1944. Kakutani is not overly kind to Roth, in fact, she jabs a bit:

That Bucky is such a one-dimensional character makes for a pallid, predictable story line in which the random workings of fate and the fate of temperament—rather than genuine free choice—are the narrative drivers. It’s all a bit by the numbers, though Mr. Roth executes Bucky’s story with professionalism and lots of granular period detail.

We’ll wait a week to see if the Times pulls a Kakutani Two-Step, but for now, it looks like the review here might be better than the book.

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Snakewoman of Little Egypt, by Robert Hellenga. Reviewed by Wendy Smith (Chicago Tribune).

This seems like a pretty interesting novel, about a family in Illinois led by a snakehandling pastor. In a nutshell:

The eponymous heroine is 35-year-old Sunny, who in 1999 has just finished a six-year jail term for shooting her husband Earle after he forced her at gunpoint to put her arm in an aquarium full of poisonous snakes. “Little Egypt” is rural southern Illinois, where Earle is pastor and chief snake-handler at the fundamentalist Church of the Burning Bush in the town of Naqada. Snakes only bite the ungodly, Earle believes, so when he suspected Sunny of cheating, exposing her arm to a pair of copperheads and a diamondbacks was the logical way to test her fidelity.

Smith’s review is mostly plot summary, however the Tribune has a second piece on Hellenga which is a bit more satisfying read.

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Jerry Robinson: Ambassador of Comics, by N.C. Christopher Couch. Reviewed by George Gene Gustines (New York Times).

It’s a bit odd I picked two biographies this week, as non-fic books don’t tend to be my reading of choice. This book caught my eye just because it’s about a man who doesn’t seem deserving of a biography. Unless you’re a really big dork, you–like me–have likely never heard of Jerry Robinson. He’s the guy who created The Joker (you know, from Batman). Reading Gustines’s review, the story of the Joker’s evolution over the years might actually be an interesting one. So maybe this is a book worth checking out, even if biographies–or comics–aren’t really your thing.

INTERVIEW: Angie Lee, author of “Eupcaccia”

[This is the first in our series of interviews with authors featured in our anthology of outstanding stories from the web, The Chamber Four Fiction Anthology. You can find more information about the anthology and download it for free here, and you can find all interviews and bonus content here.

Angie Lee is the author of "Eupcaccia,"* which originally appeared in Witness.

Eric interviewed Angie by gchat.]

The Chickens’ septic system had always been a “ball breaker,” and the way it “worked” had all three of them practicing the ancient art of inhalation and retention before crossing the threshold. Even without the contributions of Mr. Chicken over the last few years, the tank “kept its own way of thinking,” and Mrs. Chicken tried everything (short of liquefying the load before sending it down, and Malchicken had to threaten her with a kitchen knife before she conceded to let go of the blender) to keep the flow moving.

eric: Where did the idea for this story come from?

angie: I guess I need to start out by saying the story is part of a much larger piece/novel that I’ve been working on for a long time. My roommate in art school (who I think is responsible for every great idea I have) told me about the Eupcaccia bug from Kobo Abe’s book. I based the story on the memory of her description. I didn’t actually read the book until after I finished writing the story. I had the name misspelled for years.

eric: So the whole story sort of emerged from that reference to a bug that lives on it’s own feces? What struck you about this image?

angie: Shall I admit to loving poo?
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The Chamber Four Fiction Anthology: Download It Now, For Free

Cover designed and illustrated by Mike Annear; click for full-size version

We’re delighted today to announce the release of The Chamber Four Fiction Anthology, a collection of 25 outstanding stories published on the web in the 20 months or so since ChamberFour.com began.

We’ve spent the past six months scouring the Internet, finding and gathering our favorite stories from magazines like Inkwell, Eclectica, Night Train, Ascent, Guernica, and many more.

You can find more information, a complete table of contents, author bios, and you can download the ebook for free at ChamberFour.com/anthology (or by clicking the little box that says “Anthology” in the nav bar above). It’s available in all major ebook formats, and it’s compatible with a wide range of devices, including Kindles, Nooks, Sony Readers, smartphones, iPads, and even your ancient Palm Pilot.

Over the next few weeks, we’ll be posting interviews with a handful of the lesser known authors featured in the anthology—you might not have heard of them yet, but their talent deserves some attention. The first interview goes live this afternoon. Be sure to check back for those, and for news of a paperback edition which will be available in the coming weeks.

How to Come Out: A Syllabus

The first time I read Stone Butch Blues, a seminal work in gay literature, the writing was so bad I wanted to gouge my eyes out in pain. I’d recently started dating women, and two of my best friends decided to make up a syllabus of lesbian media so I could get caught up on all the gay culture I missed during the first twenty-three years of my life. Purists at heart, they wanted me to read the literature in chronological order, so I had to trudge through pseudo-classics like Stone Butch Blues and Rubyfruit Jungle before being allowed to read novels by, say, Sarah Waters, who managed to be short-listed for the Booker award.

I had just begun my second year of grad school. Coming out so late in the game—after a long-term relationship with a man and numerous other boyfriends over the years—seemed quite different from the coming-out processes of my friends, who all had a pretty strong grasp on their sexual orientation by the age of fourteen. When you’ve already created an identity for yourself, it’s hard to restructure it to include a facet that so many have entirely integrated into their person. I wasn’t going to start visiting lesbian bars or watching gay performance art or taking part in lesbian book clubs if I wasn’t into bars or performance art or book clubs before. Oftentimes, the only unifying factor in the lesbian social groups I saw was the member’s sexual orientation—which left me wondering, if I didn’t explicitly become friends with people because they were straight, why should I explicitly become friends with people because they were gay?

So instead, I just tried to get caught up on the culture.
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Reviews in Haiku: September 2010

The number was getting old, so now it’s done away with. Here’s this month’s batch of tidily haiku-ed reviews:

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Cold Snap

Jones breaks no new ground

some stories strong, others, eh…

good enough encore

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I Curse the River of Time

book like a painting?

atmospheric? yes. good? no.

Nico no likey

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Richard Yates

experimental

written in email/IM

sounds aggravating

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Tess’s Tree

by a local guy

not unlike The Giving Tree

but it’s not as good

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You Lost Me There

character study

better than Per Petterson’s

it explores regret

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Before Night Falls

gripping, harrowing

a crazy biography

did you see the film?

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Halloween/Omens

two books of poems

Dave did interview Gallo

what’s nostalgician?

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Freedom

worth all the flapping

sean read this in two sittings

great but not perfect

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Faithful Place

more of the same here

some things done better, some worse

don’t get psyched for more

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Mary

Nabokov’s first book

carries some Proustian weight

good, but sober, read

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REVIEW: Mary

Author: Vladimir Nabokov, translated from the Russian by Michael Glenny (with VN)

1926, Slovo (1970 in English)

Filed Under: Literary

C4 Ratings.....out of 10
Language..... 9
Entertainment..... 7
Depth..... 6

Mary is Nabokov’s first novel. Originally written in Russian, it is a short, straightforward novel. The plot and characters are uncomplicated; the themes effective, but not particularly deep. That is not to say, however, that it is not a good book. It is clearly a work of a master.

Lev Glebovich Ganin is a Russian soldier staying in a Berlin boarding house in the early 1920s, exiled from Russia after the Revolution. He spends his time socializing with the other patrons, namely the man in in the neighboring room, Aleksey Ivanovich Alfyorov. Alfyorov’s wife, Mary, is coming to stay, and Ganin comes to believe this is the same Mary he once had a love affair with.

Much of the novel is Ganin’s reflections on the affair, punctuated by various interactions with the others staying at the boarding house. Ganin plots to steal Mary from her husband, and leave Berlin with her in tow.
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The Week’s Best Book Reviews: 9-28-10

[In this feature, we highlight a handful of the best book reviews appearing over the weekend in major newspapers. Follow it here.]


Half Empty, by David Rakoff, reviewed by Bill Scheft (New York Times)

David Rakoff is a quietly excellent writer, and every bit as funny as he is insightful and poetic. His new collection of wittily pessimistic essays includes one titled “The Satisfying Crunch of Dreams Underfoot,” which makes me want to buy the book immediately. This review also brings its share of phrase-turns, such as: “The inherent problem with most collections is that the reader can’t help comparing entries, like a track handicapper setting the morning line.”

Good stuff.


The Small Hand, by Susan Hill, reviewed by Jeremy Dyson (Guardian)

I’m not much for ghost stories, but Dyson’s review first compares them to poetry, then compares Hill’s first novel to Wordsworth’s “Daffodils” because it has “entered into the popular imagination in a way no other piece of its genre has since A Christmas Carol.” The review of Hill’s latest (her fourth ghost story) is both a recommendation and a sharp dissection of the ghost story genre, all in 700 words.


Your Republic Is Calling You, by Young-ha Kims, reviewed by Maureen Corrigan (Washington Post)

Corrigan writes:

It’s never a good sign when I have to flip to the back cover of a novel I’ve just finished to find out what it was supposed to be about.

After reading this review, I’m not entirely sure either, but she says it’s in the spirit of the “self-conscious mysteries” of G.K. Chesterton and Graham Greene. Sounds like a C4 kind of book.


The War for the New York Waterfront, by Nathan Ward, reviewed by Jonathan Eig (New York Times)

In 1949, Malcolm Johnson won a Pulitzer for his 24-part series about crime and corruption in New York City’s waterfront, which inspired the Marlon Brando movie On the Waterfront. In this story about getting the story, Ward’s style of reportage seems to echo Johnson’s in the original series. It makes for an interesting review, even if it doesn’t make the book itself sound all that appealing.


Even Silence Has an End, by Ingrid Betancourt, reviewed by Janine di Giovanni (Guardian)

I’m of the opinion that, if you want to write a memoir, you should have a damn good reason. If you wash your hands too often, or you can’t get over your vague resentment of your mother, I don’t really care. I want to read the stories of people who’ve lived epic lives. Well, Betancourt has epic in spades. I’d never heard of her before, but di Giovanni had, and hated her to boot. This review both samples Betancourt’s memoir—about her “soul-destroying” captivity at the hands of Colombian guerillas—and contains a microcosmic account of the hollowness of public opinion.