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By Sean Clark, on April 4th, 2013
[I’ve been making an effort to catch up on classic genre writing that I probably should have read as a kid, but for whatever reason didn’t. There’s not much use in writing reviews of 60 year old books, so I’ll write them up under this column instead. Follow it here.]
Published in 1956, The City and the Stars is actually a substantial revision of Clarke’s very first novel, Against the Fall of Night. This is the first of Clarke’s books that I’ve ever read–though I love Kubrick’s 2001, which is based on a Clarke novel). What I loved about this book, and what has drawn me toward reading classic genre novels in general, is the balance between sheer creativity and devotion to scientific plausibility.
Clarke’s ideas flirt with the edge of possibility. And he was acutely aware of this. Take a look at his now somewhat famous Three Laws of science fiction:
Clarke’s Three Laws
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When a distinguished but elderly scientist states that something is possible, he is almost certainly right. When he states that something is impossible, he is very probably wrong.
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The only way of discovering the limits of the possible is to venture a little way past them into the impossible.
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Any sufficiently advanced technology is indistinguishable from magic.
The first two are astute and hard to argue. But the third really puts a finger on good science fiction, though the phenomenon depends wholly on who or what is observing the magical technology. (E.g. we know there’s no sorcery involved in television, but ever seen a dog run behind a TV looking for the tiny horses that just ran off-screen?) … Continue reading »
By Sean Clark, on April 3rd, 2013
[In this feature, we highlight a handful of the best book reviews appearing over the weekend in major newspapers. Follow it here.]
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Life After Life, by Jill McCorkle. Reviewed by Ron Charles (Washington Post).
McCorkle (who’s name is endlessly fun to say) is known for her somewhat quirky short stories. I saw her read some a few years ago and quite enjoyed it. This novel doesn’t stray far from the mold, as it’s basically a linked set of short stories. The book (which has the same title as another anticipated book this month) follows the many inhabitants of an assisted living retirement center. Odds are the book balances funny antics–these debaucherous places are STD hotbeds–with sad encounters with mortality. (“If parts of the novel read like a needlepoint sampler, other parts read like needlepoint graffiti.”) Well-balanced, that could make for a good read.
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A Tale for the Time Being, by Ruth Ozeki. Reviewed by Lisa Schwarzbaum (New York Times).
I tend to not like when books are built around novelist protagonists, though this one does seems to be more purposefully a veiled memoir, and a thoughtful reflection on Ozeki’s life experience. If it’s well written, that’s something I can get on board with. Also, the premise made me think of Weezer, who I used to like before they decided to suck.
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Quickly: (Sorry for the short installment, I’m pretty slammed this week and haven’t had much time to read the Internet.) The Magic Circle sounds like it could be good if it doesn’t suck, but it seems likely to suck. Here’s a round-up of new baseball books, the one on expansion teams is the most interesting to me. Looks like Nico was right to be optimistic about the other Life After Life.
By Nico Vreeland, on April 1st, 2013
[This feature is a brief summary of interesting books coming out each month. Follow it here. Click the title links to find these books at Goodreads.]
Definitely
Let’s Explore Diabetes With Owls, by David Sedaris (out 4/23)
Early reviews have knocked the latest Sedaris for not veering far from his staked-out territory, but if you like his writing, hewing close to his norm is good news. These latest funny essays revolve around Sedaris’s travels. If you’re new to Sedaris, I’d recommend listening to an audiobook first—I never found him funny until I heard him read his own stories. If you’re an old fan, I’m just pointing out this new book’s existence.
Life After Life, by Kate Atkinson (out 4/2)
I’m not entirely sure what to make of this novel; its own flap copy struggles to explain its premise (as do early reviewers). It seems that it’s a bit of a postmodern experiment, about the many possible lives of a woman named Ursula Todd. In one life she dies almost as soon as she’s born, in others “she also dies, repeatedly, in any number of ways.” I have no idea how this one will even be structured, but I am curious.
Life After Life, by Jill McCorkle (out now)
That’s not a typo. There are two books being published within a week of each other, using the exact same title. McCorkle’s Life After Life follows the residents and staff of a nursing home: an ex-teacher, an ex-lawyer, a murder scrapbooker, a tattooed young mother, and many others. This kind of book always comes down to the prose itself, but McCorkle has spent 17 years writing it, so it’s got better odds than most.
Gulp: Adventures on the Alimentary Canal, by Mary Roach (out now)
C4 favorite Mary Roach returns with another book of entertaining science writing, this time about the digestive process. She attacks questions like: “Why is crunchy food so appealing? Why is it so hard to find names for flavors and smells? Why doesn’t the stomach digest itself? How much can you eat before your stomach bursts?” And, she’s one of the funniest nonfiction writers out there. … Continue reading »
By Sean Clark, on March 29th, 2013
In like a lion?
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The Round House
adult coming of age
voice as good as Oscar Wao‘s
deserves its prizes
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The Life and Death of Poetry
elegant poems
author has a pornstar name
but they don’t write verse
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Songs That Saved Your Life
Smiths fans: hop on board
gets kind of repetitive
rah rah, so it goes
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Constellation Games
in Boing Boing we trust?
wild sci-fi book appears!
this one’s worth a read
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There Once Lived a Woman Who Seduced Her Sister’s Husband and He Hanged Himself
follow up stories
awesome title 2 for 2
not as impressive
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Seduction of the Innocent
pulp mystery fare
comics insiders thriller
rooted in the facts
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Private Eye #1
comics fans take ear
a pay-what-you-want-to book
you should pay a lot
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By Nico Vreeland, on March 27th, 2013
[In this feature, we highlight a handful of the best book reviews appearing over the weekend in major newspapers. Follow it here.]
Middle C, by William H. Gass. Reviewed by Michael Dirda in the Washington Post.
Dirda says, “In Middle C, you will look in vain for heroes, detectives or friendly elves. You will, however, find a wizard.” Dirda then gets so complimentary that it borders on the absurd, comparing Gass favorably to Nabokov, and nonsensically saying that he’s realized Flaubert’s dream of “writing a novel about nothing,” even as he admits: “Not that he has totally eschewed a story line.” Still, getting a precise, experienced critic like Dirda to stumble over his words like this is no easy feat, and if you’re even mildly intrigued, Dirda will be happy to give you a thousand-word sales pitch.
The Secretary: A Journey With Hillary Clinton From Beirut to the Heart of American Power, by Kim Ghattas. Reviewed by Malcolm Forbes at the Minneapolis Star-Tribune.
Maybe it’s because Hillary Clinton is the most ambitious ex-First Lady in modern American history, maybe it’s because—if she was five years younger—she’d have a hell of a chance of becoming the first female President, or maybe it’s because of the one-topic Tumblr dedicated to her, but Hillary seems like a fascinating biography subject. Ghattas, the BBC’s State Department correspondent, uses notes and interviews collected from four years of traveling with Clinton and assembles this account of her tenure as Secretary of State.
JN-T: The Life & Scandalous Times of John Nathan-Turner, by Richard Marson. Reviewed by Matthew Sweet in the Guardian.
Doctor Who might be “the most documented programme in the history of television,” but it’s also a distinctly British phenomenon. For casual stateside observers, this book might almost as interesting for its insight into the nationalized British television system as for its tales of sex scandals.
In brief: Fairly amusing mystery roundup in the NYT, including a wince-worthy tossed off opening line about setting a book in Buffalo. … A prominent “techno-utopianist” has a new book out. … Jane Goodall’s book has been postponed because it had the academic honesty of a lazy 8th-grader. She plagiarized from Wikipedia, for goodness sake. She’s lucky it wasn’t canceled outright. … Ron Charles reviews Pulitzer Prize-winner Elizabeth Strout’s new book. … Here’s a book that could’ve fit into a mid-size article: Your Survival Instinct Is Killing You. … A co-founder of the Tournament of Books interviews a couple of his judges in the B&N Review.
By Sean Clark, on March 21st, 2013
[In this feature, we highlight a handful of the best book reviews appearing over the weekend in major newspapers. Follow it here.]
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Middle Men, by Jim Gavin. Reviewed by Katherine A. Powers (Barnes and Noble Review).
I’m always in the market for new short story collections, especially by writers I’ve never heard of. And if there’s one thing I like those stories to feature, it’s talking animals. If I can have two things, make them talking animals and a “sharp eye for fatuousness.” Unfortunately it doesn’t appear any of Gavin’s stories feature the former, but the latter, along with the rest of Powers’s praise makes me thing this story set might be worth a go all the same.
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Present Shock, by Douglas Rushkoff. Reviewed by Janet Maslin (New York Times).
Technology has made truly incredible advances in the last 20 years. Set against the past century, or even against all of human history, it’s not crazy to say it might be the most rapid advancement we have yet achieved. So how does this affect us? Rushkoff’s book addresses this, and it appears to be quite interesting–if a tad depressing. Have we really “lost our capacity to absorb traditional narrative” as a people and is an “eternal present” really our obsession? If you’re feeling philosophical and a little gloomy, this looks to be a good pick.
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Percival Everett by Virgil Russell, by Percival Everett. Reviewed by Mark Athitakis (Washington Post).
If you’re looking for a little postmodernism to cheer you up (and who isn’t?), the guy who wrote I Am Not Sidney Poitier–which I haven’t read but have heard is good–has a new book out. This book sounds smart, funny, and sad. It’s sort of about an addled old man telling stories to his son, and then also sort of about…other stuff I guess. Like most postmodernism, this book is probably a lot of work. But sometimes the books that challenge their readers are the most worthwhile.
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Quickly: I don’t think Demetri Martin is as funny as everybody else seems to think, and if the cover is anything to go by, I don’t think the drawings in his book of drawings are funny either. Honestly, I don’t really give a shit about the Tournament of Books, but if you do, you might find this interesting. (Sidenote: Rosencrans Baldwin sort of looks like Rick Santorum.)
By Nico Vreeland, on March 13th, 2013
[In this feature, we highlight a handful of the best book reviews appearing over the weekend in major newspapers. Follow it here.]
Life After Life, by Kate Atkinson. Reviewed by Alex Clark in the Guardian.
This is not a great book review in the traditional sense, as Clark fumbles to explain even the premise of Kate Atkinson’s new novel. But perhaps that was a taller order than usual. Clark says that, just when you’re settling into the story, “it simply stops. If this sounds like the quick route to a short book, don’t worry: the narrative starts again – and again and again – but each time it takes a different course, its details sometimes radically, sometimes marginally altered, its outcome utterly unpredictable.” I honestly have no idea what the hell that would look like, but I’m intrigued enough that I’ll definitely be checking out the first few chapters. This one comes out April 2.
He Died with His Eyes Open, by Derek Raymond. Reviewed by A.L. Kennedy at NPR.com.
This is a write-up of an old favorite rather than a proper review. But it’s an eye-opener. Kennedy says that Raymond “has been described as the father of British noir. But he’s far beyond noir. There probably isn’t even a word for his kind of darkness.”
The Blue Book, by A.L. Kennedy. Reviewed by Wendy Lesser in the New York Times.
Now, it’s Kennedy’s turn. What kind of a book does a person who enthusiastically digs up a super-dark noir novel write? Apparently one with a “funny, dark, vituperative voice that serves equally well for tragic and comic moments.” And a whole lot of weirdness. A fitting end to this trio (and it’s only five bucks for the Kindle version).
In brief: Review of the odd-sounding but “ambitious” debut novel Ghana Must Go. … A book about sci-fi-sounding organisms that live in extreme conditions. … EL James is publishing a how-to guide to writing, because obviously that wasn’t a fluke. … I feel like I’ve seen a lot of books centered around perfume. They still fail to grab me.
By Sean Clark, on March 6th, 2013
[In this feature, we highlight a handful of the best book reviews appearing over the weekend in major newspapers. Follow it here.]
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The Teleportation Accident, by Ned Beauman. Reviewed by Wendy Smith (Washington Post).
I tend to enjoy books with quirky, even oddball plots. This novel (a Man Booker candidate last year, but only now making it stateside), sounds like it has just such a plot: A German theater set designer in the 1930s chases some tail to America and somehow becomes involved with a CalTech professor who is working on creating a teleportation device. As Smith describes it, it sounds to me like a cross between The Great Gatsby and one of my favorite books of the past few years, Skippy Dies. “It’s rare for a book to stimulate the brain cells and the funny bone with equal gusto,” raves Smith, which is praise enough for me. Definitely looking further into this one.
Find it on Goodreads.
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Frances and Bernard, by Carlene Bauer. Reviewed by Claudia La Rocco (New York Times).
Dunno about this one. It could just as easily turn out to be sappy pap as it could be good. But for whatever reason I’m a sucker for epistolary novels, and I adore Flannery O’Connor’s short stories. So this novel, loosely based on the famous somewhat-involved friendship between Flannery and poet Robert Lowell, is one I can’t really go without mentioning here. Given my current press for time, I’m probably going to have to sit this one out unless I start hearing more people talking about it. But if you’re interested the review is worth a glance.
Find it on Goodreads.
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The Storyteller, by Jodi Picoult. Reviewed by Connie Ogle (Miami Herald).
Jodi Picoult can go fuck herself. Seriously, grab hands with New Hampshire’s other inexplicably successful hack writer Dan Brown and jump off the rocky cliff that used to be the Old Man of the Mountain. I know, I know this is a Holocaust book, so I’m automatically a dick for denouncing it. But this is a Holocaust book that–like pretty much all the other books by Picoult and authors of her ilk–reeks of overplotting and emotional oversaturation. It’s allegedly intended for adults yet it’s written at a novice reading level. Oh, and she wrote it concurrently with another book, which even she describes as a “light, fluffy fairytale.” Probably the perfect thing to combo with the Holocaust for a ping-pong writing session.
Find it on Goodreads.
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The 39 Deaths of Adam Strand, by Gregory Galloway. Reviewed by Tasha Robinson (A.V. Club).
As easy as it is to bemoan facile books like Picoult’s as part of a larger dumbification of books that is perhaps most easily recognizable in the cash grab for poorly written supernatural YA books that are probably read by more older adults than young ones, it’s encouraging to see at the same time books actually intended for YA audiences take the genre in mature and more literary directions. Look no further than this novel, which tackles the very heavy subject of teen suicide with a Groundhog Day approach. But rather cheapening the subject matter or, worse, being preachy, Galloway appears to handle it with grace:
It isn’t the usual supernatural wish-fulfillment adventure, or an anti-suicide lecture in narrative form; it’s an honest, aching character study that captures small-town life and small-town despair, and takes both to an intriguing extreme.
I’ve been reading an even larger amount of YA lately in my quest for fresh lesson plan material. You can definitely look forward to a C4 review of this one soon.
Find it on Goodreads
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Quickly: If you’re looking for some fresh reading material, the long list for the Best Translated Book Awards is a good place to start. In case you never heard of it or forgot about it, this is an excellent YA book that tackled the various horrors of WW2. Finally, If these were person-sized, I’d want to live in one.
By Nico Vreeland, on March 1st, 2013
[This feature is a brief summary of interesting books coming out each month. Follow it here. Click the title links to find these books at Goodreads.]
Definitely
How to Get Filthy Rich in Rising Asia, by Mohsin Hamid (out 3/5)
The author of The Reluctant Fundamentalist has a new novel coming out about a poor kid in a poor country (similar to Pakistan but not named), who makes a fortune in the bottled water industry. The narrator, like the country, remains unnamed, as the story is told in the second-person instructional, a mock self-help style popularized by Lorrie Moore’s famed (and excellent) debut short story collection, Self-Help. Kakutani highlighted Hamid’s “high-frequency radar” in sketching out the social network portrayed here. Worth a shot for sure.
The Fun Parts, by Sam Lipsyte (out 3/5)
Next up: the new short story collection from C4 favorite Sam Lipsyte. The flap copy calls it both “hilarious” and “tragicomic,” and I’d be inclined to believe the latter. There have been a glut of story collections recently, and I’m not sure I’ve ever read one without a dud or two. The lucky thing about a collection by talented authors is that one or two or seven duds won’t necessarily sink it. If one has even just a couple of gems, it can be great.
The Book of My Lives, by Aleksander Hemon (out 3/19)
Our own Eric Markowsky said, of Hemon’s 2008 novel The Lazarus Project: “The prose is so compelling, at times devastatingly funny and charming, at others just devastating, that the book moves like a light read despite its heavy themes.” This latest project is a semi-memoir about Hemon’s lives in two cities, Sarajevo and Chicago, and the early buzz raves.
The Tragedy of Mr. Morn, by Vladimir Nabokov (out 3/19)
Pretty much anything by Nabokov will get top honors on this site, whenever it comes up. Nabokov wrote this play when he was 24, and it sounds full of his early themes: odd, fantastical kingdoms; despotic states; revolution; and abnormal, possibly unnerving love. Let’s give it a shot.
Maybe
Middle C, by William H. Gass (out 3/12)
Gass took fifteen years to write this novel, about “the nature of human identity,” and a Jewish man who grew up in London during WWII and who later decides that his calling is to found the Inhumanity Museum. The Millions called it his most accessible fiction in 45 years. Still, dude is dense.
The Teleportation Accident, by Ned Beauman (out now)
A sci-fi novel (maybe?) that was nominated for the Booker, Beauman’s latest seems to focus mainly on a rather obnoxious young man who can’t get laid. This could tip in either direction.
Rage Against the Dying, by Becky Masterman (out 3/12)
A retired FBI agent has spent her career hunting sexual predators. When a man confesses to the biggest unsolved case of her career, she can’t resist getting back in to see if he’s telling the truth.
The Accursed, by Joyce Carol Oates (out 3/5)
It’s been nine weeks (literally), so it’s time for another Joyce Carol Oates book. This “eerie tale of psychological horror” has gotten luke-warm reviews at best. Maybe she should take a little longer to write the next one?
Written in Red, by Anne Bishop (out 3/5)
This is the first installment in a new urban fantasy series, and it’s getting such rave reviews that I might give it a chance. Meg is a “blood prophet,” Simon is a shape-shifter… presumably they fall in love. This stuff always sounds like a Twilight ripoff to me on paper, but if Bishop’s writing is good enough, I’ll get on board. Maybe.
Fever, by Mary Beth Keane (out 3/12)
A historical novel about Typhoid Mary by one of the National Book Foundation’s “5 under 35.” If you’re a history-fic fan, you know who you are.
The Burgess Boys, by Elizabeth Strout (out 3/26)
The 2009 Pulitzer Prize winner for Olive Kitteridge returns with the story of the Burgess family. After their father dies in a freak accident, Jim and Bob Burgess escape their small town as fast as they can, leaving their sister behind. When the sister’s own kid gets into trouble, Jim and Bob have to come home and reconcile their past.
The Mapmaker’s War, by Ronlyn Domingue (out 3/5)
This short, fable-like fantasy novel follows a young mapmaker’s apprentice in a “faraway land” who finds a secretive people who guard a mythic treasure. The people regard the mapmaker and her kingdom as a threat, and so the mapmaker is cast out, and has to find a life of her own. Early buzz has been mixed, but I might give this one a shot.
The Demonologist, by Andrew Pyper (out 3/5)
This one sounds like half Persephone myth and half Dan Brown. A professor of demon mythology at Columbia (I guess they have those) has to bring all his knowledge and smarts together to save his daughter from the underworld.
No
Ordinary Grace, by William Kent Krueger (out 3/26)
“A respected mystery writer turns his attention to the biggest mystery of all: God.” That’s a bad mashup.
By Sean Clark, on February 28th, 2013
almost spring time…
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Appetite
singular focus
“it’s all about being gay”
at least desire
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The Flying Creatures of Fra Angelico
Calvino fans, hark!
this collections sounds awesome
whimsy on its sleeve
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The Fifth Lash
oh the irony:
Shivani hates workshopping,
but he could use some
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Rontel
short but packs a punch
sort of about a kitty?
“also, suck my dick”
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Red Army Red
exchange student fun
poems with narrative thread
Eric loves the Reds
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The One Trick Rip-Off + Deep Cuts
comic book event
beauty/violence balanced
God bless the (Paul) Pope
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Jagannath
these stories are weird
grotesque and haunting and great
give this set a read
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Snow White Must Die
standard Euro fare
Stieg Larsson fans will enjoy
don’t expect too much
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Blowout
like a three-act play
deliciously suggestive
hooray for poems
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Schroder
sometimes great, then not
Amity Gaige can write though
is that her real name?
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