The first time I read Stone Butch Blues, a seminal work in gay literature, the writing was so bad I wanted to gouge my eyes out in pain. I’d recently started dating women, and two of my best friends decided to make up a syllabus of lesbian media so I could get caught up on all the gay culture I missed during the first twenty-three years of my life. Purists at heart, they wanted me to read the literature in chronological order, so I had to trudge through pseudo-classics like Stone Butch Blues and Rubyfruit Jungle before being allowed to read novels by, say, Sarah Waters, who managed to be short-listed for the Booker award.
I had just begun my second year of grad school. Coming out so late in the game—after a long-term relationship with a man and numerous other boyfriends over the years—seemed quite different from the coming-out processes of my friends, who all had a pretty strong grasp on their sexual orientation by the age of fourteen. When you’ve already created an identity for yourself, it’s hard to restructure it to include a facet that so many have entirely integrated into their person. I wasn’t going to start visiting lesbian bars or watching gay performance art or taking part in lesbian book clubs if I wasn’t into bars or performance art or book clubs before. Oftentimes, the only unifying factor in the lesbian social groups I saw was the member’s sexual orientation—which left me wondering, if I didn’t explicitly become friends with people because they were straight, why should I explicitly become friends with people because they were gay?
So instead, I just tried to get caught up on the culture. …
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